Juventud irlandesa, materialismo y posfeminismo: la crítica tras el romance en "Gente normal"
art15-7.pdf (English)

Palabras clave

Sally Rooney
Gente normal
romance
materialismo
posfeminismo

Cómo citar

Barros del Río, M. A. (2022). Juventud irlandesa, materialismo y posfeminismo: la crítica tras el romance en "Gente normal". Oceánide, 15, 73-80. https://doi.org/10.37668/oceanide.v15i.98

Resumen

La serie televisiva Gente normal se emitió en Irlanda durante el confinamiento de la pandemia Covid-19, en la primavera de 2020, convirtiéndose instantáneamente en un gran éxito. Este drama romántico, basado en la aclamada novela de Sally Rooney, ofrece una representación actualizada de las tensiones propias del proceso de crecimiento de la juventud irlandesa, un contexto también extensible a otros países occidentales. El objetivo de este artículo es analizar la crítica subyacente a la historia romántica a través de un estudio en profundidad del paso a la edad adulta de los protagonistas en una sociedad neoliberal. Para ello, se exploran los aspectos dramáticos de esta narrativa cinematográfica en términos de composición, narración y focalización. Desde una perspectiva crítica postfeminista, este artículo analiza el uso de la violencia psicológica y el sexo como prácticas comunicativas, con especial atención al uso de la cámara, los diálogos y el silencio. Finalmente, se evalúa hasta qué punto Gente normal logra con éxito normalizar un modelo de vida mundano y se adhiere a la trama romántica dentro de un marco ideológico neoliberal y posfeminista.

https://doi.org/10.37668/oceanide.v15i.98
art15-7.pdf (English)

Citas

ABRAHAMSON, Lenny and Hettie Macdonald. 2020. Normal People. Element Pictures, BBC Three. Series 1. https://www.bbc.co.uk/programmes/p089g8rs (Last access: February 5, 2021).

AHMED, Sara. 2013. “Foreword: Secrets and Silence in Feminist Research.” In Secrecy and Silence in the Research Process: Feminist Reflections, ed. Róisín Ryan-Flood and Rosalind Gill, xvi–xxi. London and New York: Routledge.

ALBER, Jan. 2016. “The Representation of Character Interiority in Film: Cinematic Versions of Psychonarration, Free Indirect Discourse and Direct Thought.” In Emerging Vectors of Narratology, ed. Per Krogh Hansen, John Pier, Philippe Roussin and Wolf Schmid, 265–84. Berlin and Boston: De Gruyter.

ANDERSSON, Linnea E. 2020. “Conflict Discourse in Television Series: The Functions and Uses of Silence in Relation to Social Class.” MA Diss., Göteborg University. https://gupea.ub.gu.se/handle/2077/64182 (Last access: October 16, 2021).

BARROS-DEL RÍO, María Amor. 2018. “Fragmentation and Vulnerability in Anne Enright’s The Green Road (2015): Collateral Casualties of the Celtic Tiger in Ireland.” International Journal of English Studies 18 (1): 35–51.

BENTLEY, Jean. 2020. “Normal People: Author on the Pressure of Adapting Her Best-Selling Novel for Hulu.” The Hollywood Reporter, April 29. https://www.hollywoodreporter.com/tv/tv-news/normal-people-author-pressure-adapting-her-best-selling-novel-hulu-1292353 (Last access: January 12, 2021).

BRACKEN, Claire. 2020. “The Feminist Contemporary: The Contradiction of the Critique.” In The New Irish Studies, ed. Paige Reynolds, 144–60. Cambridge: Cambridge UP.

BRACKEN, Claire and Tara Harney-Mahajan. 2017. “A Continuum of Irish Women’s Writing II: Reflections on the Post-Celtic Tiger Era.” Lit: Literature Interpretation Theory 28 (2): 97–114.

CAMERON, Olga Cox. 2020. “The Persistence of Passivity as Foundational Myth in Women Writing Women in Ireland: A Thread between Mid-20th-Century Repression and Cutting-Edge Millennialism.” Psychoanalysis, Culture & Society 25 (3): 409–28.

CLARK, Alex. 2018. “Conversations with Sally Rooney: The 27-year-old Novelist Defining a Generation.” The Guardian, August 25. https://www.theguardian.com/books/2018/aug/25/sally-rooney-interview-normal-people-conversations-with-friends (Last access: January 23, 2021).

COATES, Jennifer. 2015. Women, Men and Language: A Sociolinguistic Account of Gender Differences in Language. London and New York: Routledge.

DRISCOLL, Catherine. 2002. Girls: Feminine Adolescence in Popular Culture and Cultural Theory. New York: Columbia UP.

FAGAN, Honor G. 2003. “Globalised Ireland, or, Contemporary Transformations of National Identity?” In The End of Irish History?, ed. Colin Coulter and Steve Coleman, 110–21. Manchester: Manchester UP.

FOX, Renée, Mike Cronin and Brian Ó Conchubhair 2020. “Introduction.” In The Routledge International Handbook of Irish Studies, ed. Renée Fox, Mike Cronin, Brian Ó Conchubhair, 3–14. London and New York: Routledge.

FREE, Marcus and Clare Scully. 2018. “The Run of Ourselves: Shame, Guilt and Confession in Post-Celtic Tiger Irish Media.” International Journal of Cultural Studies 21 (3): 308–24.

GILL, Rosalind. 2007a. “Postfeminist Media Culture: Elements of a Sensibility.” European Journal of Cultural Studies 10 (2): 147–66.

GILL, Rosalind. 2007b. Gender and the Media. Cambridge: Polity.

GILL, Rosalind. 2017. “The Affective, Cultural and Psychic Life of Postfeminism: A Postfeminist Sensibility 10 Years on.” European Journal of Cultural Studies 20 (6): 606–26.

JAHN, Manfred. 2021. “A Guide to Narratological Film Analysis.” English Department, University of Cologne. http://www.uni-koeln.de/~ame02/pppf.pdf (Last access: February 1, 2021).

JAWORSKI, Adam. 1992. The Power of Silence: Social and Pragmatic Perspectives. Thousand Oaks: Sage.

JORDAN, Justine. 2015. “A New Irish Literary Boom: the Post-Crash Stars of Fiction.” The Guardian, October 17. https://www.theguardian.com/books/2015/oct/17/new-irish-literary-boom-post-crash-stars-fiction (Last access: January 12, 2021).

KEMP, Ella. 2020. “Normal People Soundtrack: All the Songs Played on Sally Rooney’s Hit Drama.” NME, April 28. https://www.nme.com/blogs/tv-blogs/normal-people-soundtrack-music-sally-rooney-2655491 (Last access: January 17, 2021).

MALMGREN, Carl D. 1987. “From Work to Text: The Modernist and Postmodernist Künstlerroman.” Novel: A Forum on Fiction 21: 5–28.

MAYS, Michael. 2005. “Irish Identity in An Age of Globalisation.” Irish Studies Review 13 (1): 3–12.

NEGRA, Diane and Yvonne Tasker. 2013. “Neoliberal Frames and Genres of Inequality: Recession-Era Chick Flicks and Male-Centred Corporate Melodrama.” European Journal of Cultural Studies 16 (3): 344–61.

NEILSON, David. 2015. “Class, Precarity, and Anxiety under Neoliberal Global Capitalism: From Denial to Resistance.” Theory and Psychology 25 (2): 184–201.

O’CONNOR, Rachel. 2020. “Ireland Reacts to Normal People and Longest-Ever Sex Scene to Be Aired on National TV.” The Irish Post, May 13. https://www.irishpost.com/entertainment/huge-reaction-episode-normal-people-last-night-185095 (Last access: January 10, 2021).

PALMER, Alan. 2011. “The Mind beyond the Skin in Little Dorrit.” In Current Trends in Narratology, ed. Greta Olson, 79–100. Berlin: De Gruyter.

REYNOLDS, Paige. 2020. “Introduction.” In The New Irish Studies, ed. Paige Reynolds, 1–22. Cambridge: Cambridge UP.

ROONEY, Sally. 2017. Conversations with Friends. London: Faber and Faber.

ROONEY, Sally. 2018. Normal People. London: Faber and Faber.

ROONEY, Sally. 2021. Beautiful World, Where Are You? London: Faber and Faber.

SHRUM, Lawrence J. 2006. “Perception.” In Psychology of Entertainment, ed. Jennings Bryant and Peter Vorderer, 55–70. London and New York: Routledge.

SLAUGHTER, Joseph R. 2014. “Bildungsroman/Künstlerroman.” In The Encyclopedia of the Novel, ed. Peter Melville Logan et al., 93–7. Hoboken, NJ: John Wiley & Sons.

ST. CLAIR, Josh. 2020. “Every Song from the Normal People Soundtrack.” Men’s Health. May 4. https://www.menshealth.com/entertainment/a32363182/normal-people-season-1-soundtrack-songs (Last access: January 23, 2021).

SULLIVAN, Kelly. 2020. “Material and Visual Culture in Post-Celtic Tiger Ireland.” In The Routledge International Handbook of Irish Studies, ed. Renée Fox, Mike Cronin and Brian Ó Conchubhair, 311–22. London and New York: Routledge.

TASKER, Yvonne and Diane Negra. 2005. “In Focus: Postfeminism and Contemporary Media Studies.” Cinema Journal 44 (2): 107–10.

TERRAZAS, Melania. 2020. “Stereotype Blasting: Alan McMonagle as Satirist and Visionary.” Irish Studies Review 28 (3): 354–69.

Creative Commons License
Esta obra está bajo licencia internacional Creative Commons Reconocimiento 4.0.